Oil

Mystic Mountain
Mystic Mountain

Oil on canvas
22 x 28 in.
2018 (refinished in 2024)
$3200
Slick Petals of Morning Dew
Slick Petals of Morning Dew

Oil on canvas
12 x 12 in.
2024
$450
Two Trees (Árbol/Albero)
Two Trees (Árbol/Albero)

Oil on wood
24 x 36 in.
2019 (refinished in 2024)
$3500
Dual Spirits #2
Dual Spirits #2

Oil on canvas
30 x 24 in.
2023
NFS
Dual Spirits #1
Dual Spirits #1

Oil on canvas
24 x 30 in.
2023
NFS
Serendipitous Affective Disorder
Serendipitous Affective Disorder

Oil on wood
20 x 20 in.
2022
$1000
The Celebrated Annual Bloom
The Celebrated Annual Bloom

Oil on canvas
11 x 14 in.
2022
NFS
A Futurist Garden
A Futurist Garden

Oil on canvas
18 x 24 in.
2022
NFS
Commission
California Summer
California Summer

Oil on sewn canvas
15 x 17 in.
2021
$500
Following Any Path Possible (Because We Lost Our Map)
Following Any Path Possible (Because We Lost Our Map)

23 x 19 in.
Oil on canvas
2020
$900
SOLD
Branching Off To A Mystic Destiny
Branching Off To A Mystic Destiny

20 x 24 in.
Oil on canvas
Text in mountains: “This was our land violently purloined through genocidal tactics”
From Mystic Mountain series
NFS, commission

Accumulated #2
Accumulated #2

oil on canvas
20 x 24 in.
2020
$1000
Accumulated #3
Accumulated #3

oil on canvas
20 x 24 in.
2020
NFS
Origin to Flatlands
Origin to Flatlands

Oil on canvas
40 x 30 in.
2019
$4000
Two Fish (Pisces)
Two Fish (Pisces)

30 x 40 in.
oil on canvas (framed)
2018
$4200
EverythinG
EverythinG

12 x 24 in.
oil on canvas
2018
$800
Abstracted Landscape #6 (West Coast Fire)
Abstracted Landscape #6 (West Coast Fire)

oil on canvas
13.5 x 17.25 in. (framed)
2018
$800

The Fruitful Evolution

13 Flights
13 Flights

Watercolor collage on mat board and paper
20 x 8.5 in.
2023
$250
Branch, Moss & Magic
Branch, Moss & Magic

Watercolor collage on bristol
10.5 x 13.5 in.
$125
7 Flights
7 Flights

Watercolor collage on mat and paper
12.5 x 10.5 in.
2023
$125
Hidden Liles
Hidden Liles

Watercolor and ink on paper, wood panel
12 x 9 in.
2023
NFS
Intersecting Decay
Intersecting Decay

Watercolor collage on bristol, wood panel
12 x 9 in.
2023
$125
Nested Reflections
Nested Reflections

Watercolor collage on mat and paper
12.5 x 10.5 in.
2023
$125
The Floral Spirit
The Floral Spirit

Watercolor collage on bristol
13.5 x 10.5 in.
$175
Onto the Next Mountain
Onto the Next Mountain

Watercolor collage on bristol, wood panel
9 x 12 in.
2023
$125

Watercolor

Seed Pod Origin
Seed Pod Origin

watercolor on paper
6 x 8 in.
2022
Fallen Rose
Fallen Rose

Watercolor on paper, mounted on wood
8 x 8 in.
2021
$125
Tulips
Tulips

10 x 10 in.
watercolor and gouache on Arches paper
2021
Commission
Calla Lilies
Calla Lilies

10 x 10 in.
watercolor and gouache on Arches paper
2021
Commission
Welcome to My Chaos
Welcome to My Chaos

11 x 15 in.
watercolor on paper
2020
$225
Horizons Never End
Horizons Never End

11 x 15 in.
watercolor on paper
2019
$225
Abandoned Cuggiono, It.
Abandoned Cuggiono, It.

11 x 13.373 in.
watercolor and archival ink on paper (framed)
2019
$200
Fly Flora
Fly Flora

15 x 11 in.
watercolor and archival ink on paper
2019
NFS
NorCal Fire, 2017
NorCal Fire, 2017

11 x 15 in.
watercolor on paper
2017
$200
Abstracted Landscape #5
Abstracted Landscape #5

11 x 15 in.
watercolor on paper
2017
$200
Abstracted Landscape #3
Abstracted Landscape #3

11 x 15 in.
watercolor
2017
$200

Hard Work & Soft Fruit

This collection of work is a collaborative project between Zoe Ani and Nick Maltagliati. Through conversation between their distinct abstract language, Ani & Maltagliati composed 10 landscapes utilizing movement and color to bring to light the human connection to land and the various stages and obstacles to get food to our tables. The work is a bright illustration of where our food comes from, the exploration of the landscapes traversed and the various dynamics that affect the crops and thus affect us all. They hope to cast light on those doing the work in all conditions to harvest our food. All panels were handmade and painted with watercolor and gouache.

A portion of the proceeds go towards the efforts of Direct Action For Farmworkers. (@directactionforfarmworkers). Ani and Maltagliati want to bring attention to this issue as the impact of wildfires is a yearly recurrence. In addition, the pandemic is ongoing and the struggle is as real as the food on our table. They are honored to be in a position to provide mutual aid with proceeds from Hard Work & Soft Fruit.

Transporting Past a Burnt Tree
Transporting Past a Burnt Tree

Watercolor and gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani & Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Sun Drenched Fields
Sun Drenched Fields

Watercolor and gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani & Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Seed Dispersal in a Drought
Seed Dispersal in a Drought

Watercolor & gouache on wood
36 x 36 x 2 in.
2021
$1800
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Ripe
Ripe

Watercolor & gouache on wood
48 x 28 x 2 in.
2021
$2800
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
End of an Agricultural Cycle
End of an Agricultural Cycle

Watercolor & Gouache On Wood
48 x 48 x 2 in.
2021
$2800
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Fireball
Fireball

Watercolor and gouache on wood
24 x 24 in.
2021
NFS
By Zoe Ani and Nick Maltagliati
Are the Crops Okay After the Orange Day?
Are the Crops Okay After the Orange Day?

Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Cosmic Fruit Basket
Cosmic Fruit Basket

Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Good Crops Go Straight to the Store
Good Crops Go Straight to the Store

Watercolor & gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.
Fruit & Flowers
Fruit & Flowers

Watercolor and gouache on wood
24 x 24 x 2 in.
2021
$850
By Zoe Ani and Nick Maltagliati

Available on Zoe’s website. Click here to purchase.

Ink Drawings

Melting Circle
Melting Circle

Ink on paper
12 x 9 in.
2020
$50
Crawling
Crawling

Ink on paper
12 x 9 in.
2020
$50
Inktober 10/1
Inktober 10/1

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/2
Inktober 10/2

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/3
Inktober 10/3

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/4
Inktober 10/4

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 5
Inktober 5

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/6
Inktober 10/6

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/7
Inktober 10/7

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/8
Inktober 10/8

Archival ink on paper
8.5 x 5.5 in.
2019
Inkotber 10/9
Inkotber 10/9

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/10
Inktober 10/10

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/11
Inktober 10/11

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/12
Inktober 10/12

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/13
Inktober 10/13

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/14
Inktober 10/14

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/15
Inktober 10/15

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/16
Inktober 10/16

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/17
Inktober 10/17

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/18
Inktober 10/18

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/19
Inktober 10/19

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/20
Inktober 10/20

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/21
Inktober 10/21

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/22
Inktober 10/22

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/23 "H"
Inktober 10/23 "H"

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/24 "A"
Inktober 10/24 "A"

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/25 "L" I
Inktober 10/25 "L" I

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/26 "L" II
Inktober 10/26 "L" II

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/27 "O"
Inktober 10/27 "O"

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/28 "W"
Inktober 10/28 "W"

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/29 "E" I
Inktober 10/29 "E" I

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/30 "E" II
Inktober 10/30 "E" II

Archival ink on paper
8.5 x 5.5 in.
2019
Inktober 10/31 "N"
Inktober 10/31 "N"

Archival ink on paper
8.5 x 5.5 in.
2019
Mystic Mountain (sketch)
Mystic Mountain (sketch)

Archival ink on paper
3 x 5 in.
2018
(this piece is paired with its larger counterpart found in oil paintings)
Sketch Cover Up #2
Sketch Cover Up #2

Color pencil and archival ink on paper
9 x 12 in.
2018

My Tale Of The Richmond Italo Americano

This is an interior mural adjacent to a bocce ball court in the Galileo Club, Richmond, CA. Started May 2020, completed October 2020. This project is dedicated to my hometown and my Italian heritage. Details I included: Red Oak Victory and Rosie The Riveter representing the shipyard complex built by Kaiser. Her goggles are hanging up to signify completion and prospective world peace. The hills and Mt. Tamalpais of Marin make up the background. I was in constant awe this mountain range growing up and the sunsets that would hug its western side. I was able to hike to the peak of the mountain with my troop and be able to take in the beautiful region of the Bay. I inserted the Italian peninsula for cohesion of the piece. Pt. Richmond is at the receiving end of the Richmond-San Rafael Bridge, with its own tunnel, overgrown plants and its small village energy. Inherently, I had to add California poppies and my favorite flower hydrangeas which were prominent at a lakeside village, Stresa, Italy, I visited with my parents in 2012. The buildings are just a selection from the historic Pt. Richmond square including “The Plunge” or Natatorium, Up and Under Pub, and Hotel Mac. And in between is the infamous wigwag for the railroad crossing, now out of commission. A turkey representing the Turkey Shoot that occurs every Thanksgiving in Pt. Richmond where the town meets at the Plunge, walks through town, and reads a poem that grows a stanza a year. They finish with a shot of Wild Turkey 101. A depiction of a bocce ball tournament that the Galileo Club has organized more frequently within the past decade post court renovations. The Richmond Country Club where my parents had their wedding reception as the background with the Bay’s infamous fog laying above. I added a false attic to the clubhouse to house Galileo and his observatory. He is ringing the “casino” bell notifying that the bocce players scored max points in a round. I included a silhouetted dancing couple gracefully sliding to post-war tunes in the ballroom. The greenhouses below show lesser known history of Richmond and the reason my father moved to California: roses. There were several Japanese families, in this case the Ninomiya’s. The family owned and operated a rose growing business but not without the struggle of racial issues and being forced into internment camps. On the street is a local donut shop mascot of Andy’s Donuts. He is driving toward lettuce fields that were a prominent crop that Italian immigrants first planted when they moved to California. Next to the clubhouse there’s the Galileo Club Way street sign that the club was able to acquire from the city for a small stretch of So. 23rd St. And on top of the sign is an Italian Sparrow, their national bird. An iconic, mid century sign for a drive-in milk store found on 23rd St. To couple with the Italian sparrow I included a California quail nestled on a redwood tree and the sign’s stylized arrow. Adjacent to the sign is an interpretation of a Roman fountain being lit from below. Other landmarks include the leaning tower of Pisa, a Venetian gondola, and Monte Bianco (Italy’s highest peak that borders France). I incorporated an olive tree grove, draping ivy vines found in Rome, and a vineyard drenched in the moonlight. A pizza is being slid out of a wood fired oven inspired by my former job at Fiorella. And lastly a villa tucked away in the hills reminiscent of Tuscany.

Interior latex paint and acrylic
7.5 x 56 ft.

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Traveling Pandemic Art Journal

In collaboration with former studio community members at Root Division, this small collection was created during the uncertainty of the pandemic. The art journal was shipped to artists and was filled with their own thoughts and inspirations while capturing the quotidian paces of a world under COVID-19. A virtual exhibition for Pandemic Art Journal will be up for view very soon. My statement about the following pieces: For this project, I wanted to focus on the introspection I experienced during this time of uncertainty. My heavy line use is an abstract language I invented as a way to dispel negative internal thoughts, and I have concluded that this process has become my own form of therapy. I rely on biomorphic entities to quell my quiet struggle, hoping the plant-like and landscape-inspired compositions relieve me from spiraling into heavy thought.

Page 1
Page 1

ball point ink on paper
2020
Page 2
Page 2

acrylic on paper
2020
Page 3
Page 3

ball point ink on paper
2020
Page 4
Page 4

acrylic on tape and ball point ink on paper
2020

Mixed Media and Installation

COVID Creature, Anna Runnalls x Nick Maltagliati
COVID Creature, Anna Runnalls x Nick Maltagliati

4.5 x 6 in.
Watercolor, marker, ink, acrylic, sequins collage on paper
Snail mail collaboration with Anna Runnalls
2020
NFS
Last Sunset In Sunset
Last Sunset In Sunset

16 x 5 in.
string, fiber, ribbon, tulle, and thread
2020
$150
In The Weeds
In The Weeds

Multimedia installation in Root Division’s Frank Ratchye Project Space, curated by Alicia McDaniel. Click IN THE WEEDS for more information.

The Valley Between
The Valley Between

10 x 10 x 6 in. each
India ink, palette paper, china marker, vintage map
2019
NFS
FogScape (part 2)
FogScape (part 2)

10 x 12 in.
mixed media weaving
2019
NFS
FogScape (part 1)
FogScape (part 1)

10 x 12 in.
mixed media weaving
2019
NFS
Threaded Anomalies
Threaded Anomalies

Dimensions variable
found yarn, threaded throughout roof of public space
2015
NFS
For the Aversion of Nietzsche
For the Aversion of Nietzsche

Dimensions variable, site specific
Pages from various Nietzsche books, fabric, red cellophane, wood
2015
NFS
Stream
Stream

Dimensions variable, site specific
Men’s jeans, red thread
2015
NFS
Mtn. Piece
Mtn. Piece

Dimensions variable
scrap canvas, watercolor paper, ink, glass, wood, ceramic, yarn, watercolor on paper, photo and paper collage
2015
NFS

Collage

Rose to Life
Rose to Life

14 x 17 in.
photo collage on paper
2018
$150
NatGeo, Nick as Re-Editor: Spousal Abuse
NatGeo, Nick as Re-Editor: Spousal Abuse

10 x 12 in. (unframed)
National Geographic magazine collage on paper, thread, glass
2017
$175
New, Wrong Lands
New, Wrong Lands

9 x 6.5 in
photo collage
2017
$25
Merely Muses
Merely Muses

9 x 5.375 in.
photo collage on paper
2017
$65
For Patty
For Patty

4 x 3 in each
3 vintage frames, gelatin silver print and photo collage
2017
NFS
Diffuso
Diffuso

9 x 12 in
photo collage on bristol
2017
$100
NatGeo, Nick as Re-Editor: Desperate for Medicine
NatGeo, Nick as Re-Editor: Desperate for Medicine

15 x 20 in.
National Geographic magazine collage on bristol
2017
$350

Oil Palette Landscape Series

Oil Palette Landscape #6
Oil Palette Landscape #6

19 x 24 in.
oil palette collage, china marker, paint marker, on bristol
2019
$230
Oil Palette Landscape #5
Oil Palette Landscape #5

19 x 24 in.
oil palette collage, paint marker, on bristol
2019
$230
Oil Palette Landscape #4
Oil Palette Landscape #4

19 x 24 in.
oil palette collage, china marker, paint marker, on bristol
2019
$230
Oil Palette Landscape #3
Oil Palette Landscape #3

19 x 24 in.
oil palette collage, paint marker on bristol
2019
$230
Oil Palette Landscape #2
Oil Palette Landscape #2

19 x 24 in.
oil palette collage and paint marker on bristol
2018
$230
Oil Palette Landscape #1
Oil Palette Landscape #1

19 x 24 in.
oil palette collage, paint marker, china marker, art scraps on bristol
2018
$230

In The Weeds

In the Weeds is an environment that seeks to illustrate a surrealistic, vague assertion of Maltagliati’s ambivalent feelings towards serving in a restaurant. The title of the show is referential to the expression of the same name where a server is overwhelmed with the chaos and extraneous amount of demands. This show in as an immersive experience that allows Maltagliati to reflect upon the service industry’s internal drama and microaggressions. The artist was influenced by 1960’s Arte Povera and a boundary-pushing energy as he incorporated media he never handled in his practice. Many of the works come with stories adhered to them like how a coworker decided to quit while picking parsley or how employees will break at least one glass vessel during a shift.

When A Guest Decided To Spread Their Poop All Over The Bathroom
When A Guest Decided To Spread Their Poop All Over The Bathroom

Dimensions variable
Toilet seat covers, tissue paper, glitter, ink on hand-cut paper
2019
$800
When A Guest Decided To Spread Their Poop All Over The Bathroom
When A Guest Decided To Spread Their Poop All Over The Bathroom

When A Guest Decided To Spread Their Poop All Over The Bathroom
When A Guest Decided To Spread Their Poop All Over The Bathroom

Picking Parsley (When A New Hire Quit)
Picking Parsley (When A New Hire Quit)

Dimensions variable
ribbon, thread, glitter and beads on hand-cut paper, twist ties, velvet
2019
$800
Picking Parsley (When A New Hire Quit)
Picking Parsley (When A New Hire Quit)

Picking Parsley (When A New Hire Quit)
Picking Parsley (When A New Hire Quit)

Picking Parsley (When A New Hire Quit)
Picking Parsley (When A New Hire Quit)

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Dimensions variable
Handmade server books from recycled menus (courtesy of coworker), personal order taking notes, baker's twine, checkout reports on receipt paper, cardboard, commercial plastic wrap labels, pins, copper staples
2019
$1250
Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Restaurant Nightmare Catcher
Restaurant Nightmare Catcher

Phantom Screw
Phantom Screw
Phantom Screw
Phantom Screw

It Means Little Flower In Italian
It Means Little Flower In Italian

4 x 5 x 4 in.
Wood stretchers and commercials plastic wrap
2019
NFS
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)

Dimensions variable
Plastic casting of the artists' legs, found food stickers, thread, stones, ink, glitter on apron
2019
$200
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)

Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest)

Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest) (detail)
Mi Delantal Mientras Estoy En Reposo (My Apron While In Rest) (detail)

Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)

58 x 115 in.
Packaging paper, delivery service stickers, to-go container foil tops
2019
$500
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Delivery Reigns (When It Pours)
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat

48 x 48 x 6 in.
Stained wood stretchers, glitter, commercial plastic wrap, sequins, baker's twine
2019
$400
Used Chairs, Charred Wood, Fire, and Meat (detail)
Used Chairs, Charred Wood, Fire, and Meat (detail)
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Used Chairs, Charred Wood, Fire, and Meat
Cerebrally Out Of Context
Cerebrally Out Of Context

32 x 10 in.
Collected phrases and quotes from meetings and coworkers, receipt roll tubes, ink on paper
2019
$150
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Cerebrally Out Of Context
Pizza Cutter
Pizza Cutter

28 x 9 in.
Commercial plastic wrap and labels, baker's twine, graphite, latex paint, cardboard
2019
NFS
Pizza Cutter
Pizza Cutter
Pizza Cutter
Pizza Cutter
Pizza Cutter
Pizza Cutter
Table 65
Table 65

18 x 3 in.
Sharpie and ink on kitchen receipt paper, baker's twine
2015
NFS
Table 65
Table 65
Table 65 (detail)
Table 65 (detail)
End Of A Roll
End Of A Roll

44 x 9.5 in.
Ballpoint ink on two-ply carbon receipt paper, baker's twine
2015
$250
End Of A Roll
End Of A Roll
A Petal For Every Time A Customer Asked For My Recommendation
A Petal For Every Time A Customer Asked For My Recommendation

22 x 22 in.
Commercial plastic wrap, pins
2019
$350
A Petal For Every Time A Customer Asked For My Recommendation
A Petal For Every Time A Customer Asked For My Recommendation
A Petal For Every Time A Customer Asked For My Recommendation (detail)
A Petal For Every Time A Customer Asked For My Recommendation (detail)
Glass Breaking Initiation
Glass Breaking Initiation

9:42 mins
Broken and chipped glassware, menus with notes
Click to watch (vimeo)
Trying To Find The Good
Trying To Find The Good

1:24 mins
Spliced footage from first restaurant job
Click to watch (vimeo)
Variations Of Coded Introductions (Inner Sparks)
Variations Of Coded Introductions (Inner Sparks)

30 x 40 x 4 in.
Ceramic tile, grout, corks, and gold foil on wood
2019
$700
Variations Of Coded Introductions (Inner Sparks) (detail)
Variations Of Coded Introductions (Inner Sparks) (detail)
Variations Of Coded Introductions (Inner Sparks)
Variations Of Coded Introductions (Inner Sparks)
Variations Of Coded Introductions (Inner Sparks)
Variations Of Coded Introductions (Inner Sparks)
EH
EH

6.5 x 2.5 in. each
Expanding concrete in glass "quartino", A-Frame sign letters, broken glass
2019
$200
EH
EH
EH
EH
Respecting The Neighbors
Respecting The Neighbors

15 x 10 in.
Sign from patio section decoupaged on frame, strips of polishing cloths and apron
2019
$175
Respecting The Neighbors
Respecting The Neighbors

Photography

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3C061962-9EA6-4A24-A1B6-80FB4FF88C1B.jpeg
6ABCD198-9468-4343-AECB-0C81768AC086.jpeg
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Life Check-In at 25

Lino-cut prints

Teal Me Everything
Teal Me Everything

19.5 x 22 in.
lino cut print on ink and matte board
2019
$200
46EC41E2-4743-4AA3-9F0B-1F8C306F2E45.jpg
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What a Stream Would Look Like If It Was Conscious

In material collaboration with partner Joey Sweazey, What A Stream Would Look Like If It Was Conscious explores the literary technique with upcycling a medium once considered waste. Several pages include old and failed studio notes and sketches I wanted to resuscitate from their past.

Topography Of Being Stoned
Topography Of Being Stoned

18 x 24 in.
acrylic on tape on paper
Redwood Seismograph
Redwood Seismograph

12 x 18 in., diptych
acrylic on tape on paper

Twisted Trunk Of Junk
Twisted Trunk Of Junk

12 x 9 in.
acrylic on tape on paper
A Whirlpool Of What Chaos Would Be
A Whirlpool Of What Chaos Would Be

12 x 9 in.
acrylic on tape, ink, marker, and color pencil on paper

Around Her Was The Same Within Her Mind
Around Her Was The Same Within Her Mind

12 x 9 in.
acrylic on tape and ink on paper

Thought You Knew I Was A Little Crazy
Thought You Knew I Was A Little Crazy

12 x 9 in.
acrylic on tape covering ink, studio notes on paper
A Method To Whatever This Madness Is
A Method To Whatever This Madness Is

12 x 9 in.
acrylic on tape covering ink, studio notes on paper

Just Anchor Me Before I Float Away
Just Anchor Me Before I Float Away

12 x 9 in.
acrylic on tape and graphite on paper

Everything Is Noted Yet No One Does Anything About It
Everything Is Noted Yet No One Does Anything About It

12 x 9 in.
acrylic on tape covering graphite, studio notes on paper

A Great Cover To A Bad Beginning
A Great Cover To A Bad Beginning

12 x 9 in.
acrylic on tape covering ink, studio notes on paper
I Actually Like Feeling Blue
I Actually Like Feeling Blue

12 x 9 in.
acrylic on tape on paper

The Spoiled Family Rejected An Interview (Small Tea Stain)
The Spoiled Family Rejected An Interview (Small Tea Stain)

12 x 9 in.
acrylic on tape and smudge on paper

I'd Quite Enjoy Watching You Try To Box This Shit In
I'd Quite Enjoy Watching You Try To Box This Shit In

12 x 9 in.
acrylic on tape covering ink, studio notes on paper

Égg-alité Is Cracked; The Media Is Scrambled
Égg-alité Is Cracked; The Media Is Scrambled

12 x 9 in.
acrylic on tape and marker on paper

Resolution In Template Evolution, Change Is Good
Resolution In Template Evolution, Change Is Good

12 x 9 in.
acrylic on tape on paper

Tortilleria Con Mama

Tortilleria Step 2
Tortilleria Step 2

gouache on black-gesso canvas, oil cloth on wood
12 x 11.5 x .75 in.
2020
Imperfect Tortilleria
Imperfect Tortilleria

gouache and tinted charcoal on kraft paper
24 x 57 in.
2020
IMG_3769.jpeg
IMG_3768.jpeg

Out Of The Weeds

Out Of The Weeds is a continuation of In The Weeds, presented as an EC (Extended Creation). ITW was meant to be those exact works in that exact space, while OTW will document time’s effect and evolution of the media collected as well as the works edited out of the first iteration.

Ten Glasses In My Hand (Self Training, Out Of The Fear)
Ten Glasses In My Hand (Self Training, Out Of The Fear)

digital photograph
2020
Leftover Little Gem Leaf
Leftover Little Gem Leaf

digital photograph
2020
Glass Crash #1
Glass Crash #1

14 x 8.5 in.
broken glassware and crayon on restaurant menu
2020
Glass Crash #2
Glass Crash #2

14 x 8.5 in.
broken glassware and crayon on restaurant menu
2020

Cone Series

Safety First
Safety First

28.5 x 14.5 x 14.5 in.
sequins hand-placed on found safety cone
2019
$3000
B4A41E83-D6E6-441B-8D21-3E40180F4D5C.jpeg

Archive

Handsy
Handsy

2012

9 x 12 in.

ball point ink on paper

Sketchbook #1, Page 8: Since When
Sketchbook #1, Page 8: Since When

2014
8.5 x 11 x 1 in.
Archival ink on paper
 
Sketchbook #3, Page 13: Apple Core
Sketchbook #3, Page 13: Apple Core

2013
9 x 12 in
archival ink on paper
A Boat on 'The Starry Night' Ocean
A Boat on 'The Starry Night' Ocean

2013

9 x 12 in.

ink on paper

Sketchbook #2, Page 14: Petals
Sketchbook #2, Page 14: Petals

2013
9 x 12 in.
ink on paper
Internally Fractured Pinned Location
Internally Fractured Pinned Location

2013

9 x 12 in.

ink on paper
Face That Repelled All The Ships
Face That Repelled All The Ships

2013

9 x 12 in.

ink on paper

Mélange From Internet Images
Mélange From Internet Images

2013

9 x 12 in.

ink on paper

Sketchbook #1, Page 4: Central Eye
Sketchbook #1, Page 4: Central Eye

2012
9 x 12 in.
ink on paper
 
Accumulated #1 (from Abstracted Landscape Series)
Accumulated #1 (from Abstracted Landscape Series)

18 x 24 in.
oil and paper on canvas
2015
NFS
Abstracted Landscape #1
Abstracted Landscape #1

18 x 24 in
oil on canvas
2015
NFS
Southern Italian Hamlet
Southern Italian Hamlet

24 x 36 in.
oil on canvas
2015
NFS
Troubled Abuelo
Troubled Abuelo

24 x 36 ft.
oil on canvas
2015
Commissioned by Alioto Family
NFS
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